Just Joshin' #177 (Freedom)



Family Photo:
Freedom

At the end of each day, after Lawrence's teacher walks his class to the front of the school, she dismisses Lawrence from his line and he runs to me with open arms. It's the greatest thing in the world.

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Freedom is the greatest thing in the world.

I want my kids to have freedom: the freedom to be what they want to be, to do what they want to do, to live where they want to live.

It's been a difficult week for freedom: a political activist was killed while speaking at a university, two high school students were shot during lunch recess by a classmate, a refugee was stabbed to death while riding a city train. In Ukraine, 24 citizens were killed by a Russian glide bomb while standing in line to collect their pensions. I don't know what happened in Gaza this week—journalists aren't allowed in Gaza. More than 200 journalists have been killed in Gaza over the last two years.

All of these are tragedies. All of these are heinous violations of freedom, even if they receive unequal attention.

It feels like this week will change what freedom looks like in America, perhaps the most significant change since the terrorist attacks 24 years ago. The 9/11 violence reoriented our relationship with the world. This week's events might reorient our relationship with each other.

Freedom requires levels of trust: How much should we trust our friends? How much should we trust our neighbors? How much should we trust strangers? How much should we trust foreigners?

I don't know what that new order will look like. There is a constant tension between Freedom and Security. How much Freedom should be surrendered for Security? But also: without Security, is there any Freedom at all?

If the events of this week increase our attention on Security, I hope they will increase our attention on Freedom as well.

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In 1943, inspired by FDR, Norman Rockwell painted Four Freedoms. The Saturday Evening Post commissioned 4 essays to accompany the Norman Rockwell's paintings and articulate visions of freedom in America. They're good. You should read them:


Dad Jokes:
Free to Be

Source: they can talk


Highlights:
Four Freedoms

Freedom of Worship, Norman Rockwell

The Power of Religion by Will Durant (1950)

Science gives man ever greater powers but ever less significance; it improves his tools and neglects his purposes; it is silent on ultimate origins, values, and aims; it gives life and history no meaning or worth that is not canceled by death or omnivorous time. So men prefer the assurance of dogma to the diffidence of reason; weary of perplexed thought and uncertain judgment, they welcome the guidance of an authoritative church, the catharsis of the confessional, the stability of a long-established creed. Ashamed of failure, bereaved of those they loved, darkened with sin, and fearful of death, they feel themselves redeemed by divine aid, cleansed of guilt and terror, solaced and inspired with hope, and raised to a godlike and immortal destiny.

Meanwhile, religion brings subtle and pervasive gifts to society and the state. Traditional rituals soothe the spirit and bind the generations. The parish church becomes a collective home, weaving individuals into a community. The cathedral rises as the product and pride of the unified municipality. Life is embellished with sacred art, and religious music pours its mollifying harmony into the soul and the group. To a moral code uncongenial to our nature and yet indispensable to civilization, religion offers supernatural sanctions and supports: an all-seeing deity, the threat of eternal punishment, the promise of eternal bliss, and commandments of no precariously human authority but of divine origin and imperative force.
...

The greatest gift of the Reformation was to provide Europe and America with that competition of faiths which puts each on its own mettle, cautions it to tolerance, and gives to our frail minds the zest and test of freedom.

Freedom from Want, Normal Rockwell

A Letter to My Newborn Daughter by Lawrence Yeo (2023)

One of the first lessons you’ll learn is that we all want certain things, but we can’t have everything we want. And the way you respond to this reality is what builds character.
You’ll experience this relatively soon, but let’s say that you’re playing with a toy that another child next to you wants. When that happens, your first instinct will be to be protective of what you have, and to keep the toy all for yourself. You’ll think that if you give it up, then it’s no longer yours, and that you had to sacrifice something that was so precious to you.
But in reality, the best thing for you to do here is to be kind. Kindness is the ability to trade personal gain for mutual trust. By being kind and sharing your toy, you are telling the other child, “Hey. I want to play with this toy too, but by sharing it, I want us to both be able to have fun together now, and also sometime in the future.” By being selfless, you are extending an invitation to enjoy the moment together, and are assuring the other person that you can expect a similar experience if your paths happen to cross again.
Kindness is what builds friendships. It’s what creates long-lasting partnerships. It is the force that develops trust between you and others, and when it comes to relationships, trust is everything.
The best thing about kindness is that there is no limit to how much you can share, and there is no shortage of people that need it. This leads me to another important thing to remember:
Not everyone is as fortunate to have what you have. The fact that you were born into a loving community places you in a position of abundant opportunity that many others don’t have.
...

Freedom is achieved by clearly defining what “enough” means, and by keeping it there even after you’ve reached it. This allows curiosity – and not money – to be the guiding principle behind why you do the things you do.

Freedom of Speech, Norman Rockwell

This Old Man by Roger Angell (2014)

We have become tireless voyeurs of death: he is on the morning news and the evening news and on the breaking, middle-of–the-day news as well—not the celebrity death, I mean, but the everyone-else death. A roadside-accident figure, covered with a sheet. A dead family, removed from a ramshackle faraway building pocked and torn by bullets. The transportation dead. The dead in floods and hurricanes and tsunamis, in numbers called “tolls.” The military dead, presented in silence on your home screen, looking youthful and well combed. The enemy war dead or rediscovered war dead, in higher figures. Appalling and dulling totals not just from this year’s war but from the ones before that, and the ones way back that some of us still around may have also attended. All the dead from wars and natural events and school shootings and street crimes and domestic crimes that each of us has once again escaped and felt terrible about and plans to go and leave wreaths or paper flowers at the site of. There’s never anything new about death, to be sure, except its improved publicity.

Death sucks but, enh—click the channel.

In a sporadic effort to keep my brain from moldering, I’ve begun to memorize shorter poems—by Auden, Donne, Ogden Nash, and more—which I recite to myself some nights while walking my dog...

Freedom from Fear, Norman Rockwell

Shooting an Elephant by George Orwell (1936)

I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd – seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing – no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
...

For at that moment, with the crowd watching me, I was not afraid in the ordinary sense, as I would have been if I had been alone. A white man mustn’t be frightened in front of “natives”; and so, in general, he isn’t frightened. The sole thought in my mind was that if anything went wrong those two thousand Burmans would see me pursued, caught, trampled on and reduced to a grinning corpse like that Indian up the hill. And if that happened it was quite probable that some of them would laugh. That would never do.
...

Afterwards, of course, there were endless discussions about the shooting of the elephant. The owner was furious, but he was only an Indian and could do nothing. Besides, legally I had done the right thing, for a mad elephant has to be killed, like a mad dog, if its owner fails to control it. Among the Europeans opinion was divided. The older men said I was right, the younger men said it was a damn shame to shoot an elephant for killing a coolie, because an elephant was worth more than any damn Coringhee coolie. And afterwards I was very glad that the coolie had been killed; it put me legally in the right and it gave me a sufficient pretext for shooting the elephant. I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool.

iamJoshKnox Highlights:

The rain | A.E. Housman

artist
The rain | A. E. Housman
Dead Artist Collective
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Josh Knox

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